Immigration Migration And The United States - 1529 Words

Immigration/Migration Immigration and migration are two different things, diffen.com defines them as â€Å"immigration means for an individual or a family to move to a new country from their country of origin with due formalities at the embassy, the word migration denotes the act of moving from one place to another - within a country or across borders, for people or birds, and usually refers not to a single individual or family but a a larger demographic.† Immigrants bring a lot of factors to the United States. From cultural, economic, and jobs. Cultural factors include bringing different religions, teachings, foods, clothing’s, music and arts to the United States. The economy is growing each year with the help of immigrants and is going to†¦show more content†¦Culture is a big thing here in the United States, it’s what defines a person. Having cultures from other countries is a huge advantage to the country, knowing different religions, foods, teachings, history is beneficia l to the country. It benefits the country because it’s something different, and different is not always bad; it’s a new way to learn and fix the mistakes. Hiffingpos.com says â€Å"Across the board, be it Korean, Ethiopian, or Armenian food, most traditional cuisines emphasize a diet of whole grains, many vegetables, and good fats. As Pollan affirms, there is a very low incidence of ‘first world’ diseases like diabetes and heart disease among people eating traditional diets. As a society, we are greatly informed by the presence of immigrant communities that bring their traditional cuisines to this country. There is much that we have learned and much more that we must continue to learn from immigrants regarding our diets.† Every time you go to New York especially in the suburbs you will see food stands on the sidewalk. Many of those food stands are Hispanics: Dominicans, Puerto Ricans, Cubans, and Mexicans. Those small businesses areShow MoreRelatedC auses Of Migration851 Words   |  4 PagesWhat are migration patterns? Migration patterns are the movement by people from one place to another with wanting to settle down. The movement is usually over a long distance and/or from one country to another. Human patterns of movement are because of the conditions of a changing world and the impact of the cultural landscapes of both the places people migrate from and the places they settle. What is migration? Migration is the movement of people from one place to another. What is immigration? ImmigrationRead MoreSandra Cisneros And Reyna Grande’S Representation Of Their1220 Words   |  5 Pagesher identity formation. Her father was a Mexican by birth and after migrating to the United States serves in the United States army (Cisneros 2015:193). 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Why Do PeopleRead MoreHispanic Immigration And The United States850 Words   |  4 PagesHispanic immigration to the United States stems primarily from uniquely developed push-pull migration mechanisms in which â€Å"interplay of national, regional, and global economic developments, the history of U.S. military and foreign policy in the Western Hemisphere, the checkered history of international border enforcement and interdiction efforts, and, not least, the aspirations of Latin American migrants and potential migrants themselves† (Gutierrez). In other words, migration from Latin AmericanRead MoreThe Social Issues That Affect All Citizens Of The United1479 Words   |  6 Pagesthe United States of America in 2017 In the early months of 2017, the United States of America has already faced a crucial change, the election of a new president. The election of President Trump will impact social issues that affect citizens of the United States of America. 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With time, the need increased into the quest of knowledge and thirst of wisdom, eventually as the periods started to pass by, development started in some countries, and some countries were left far behind. This partial development of the world brought a n ew kind of movement, known as migration. CountriesRead MoreReassessment of International Instruments in the Field of Migration1026 Words   |  5 Pagesof increasingly complex nature of current migration flows with traditional institutional and legal systems of handling immigration, according to which each category of migrants received its clear and unambiguous definition. This concern has led to a reassessment of international instruments in the field of migration. Phenomenon of immigration Orderly international migration can have a positive impact on the countries of origin and host countries. 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The Intake Process - 998 Words

The intake process is the foundation upon which the structure of the therapeutic relationship is built, there are some important considerations counselors need to keep in mind (Sutton 2013). The purpose of an intake form is to gather past and present information for the therapist or counselor so they can have a better understanding of the client. The information is kept confidential and maybe used to assess client. Does it ask all of the necessary questions to determine what the client’s presenting problem is? For the most part clients’ problems were determined from the questions asked on the form that was chosen. The intake form inquired about clients’ current emotional state and suicidal ideation. It directly asks the client what would they want to accomplish through their therapy session. The form asked clients if they have been through a traumatic experience. It also mentioned family history and history of domestic violence and substance abuse. The form also asked about general health, spiritual history, and personal relationship (i.e. Divorce or Living with Partner). The questions were designed for the clients to give detailed answers and enough information to determine the presenting problem. Although the form did ask several key questions, I find it rather shocking it did not ask about homicidal ideations. Are there too many or too few questions? Why or why not? There were to many questions for the client to answer in one sitting. This can have a negativeShow MoreR elatedUnderstanding the Patient Intake Process784 Words   |  4 PagesUnderstanding the Patient Intake Process An essential part of the healthcare business is good patient /provider communication. To improve the patient/care-provider communication and the quality of healthcare services a facility could use the technology of the internet. Businesses in insurmountable numbers are using internet to improve their services. 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It was created with Salesforce.com’s Force.com enterprise application development platform. It is run on staff members AppleIphones. This replaces a manual process. It has cut the admission process from 18 hours to sometimes less than 1 hour. Having this done on the AppleIphone keeps the protection onRead MoreProposed Solution Of The Current Intake Process Essay1339 Words   |  6 Pagesnurse who then initiates a conference call between the referring physician and an ER physician. A4a. Justification of Proposed Solution 5000 calls a month come into the AT department with a rate of 4-6% for missed calls. The current process leaves a large gap in service by delaying the transfer of the patient due to the above contributing factors. 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The intake form was developed in 2011 with the intent to gather and report Adoption, Foster Care, Analysis Reporting System (AFCARS) data to the federal government andRead MoreThe Effects Of Solution Focused Versus Problem Focused On Pre Treatment Change944 Words   |  4 PagesSolution-Focused Versus Problem-Focused Intake Questions on Pre-Treatment Change† (Richmond, Jordan, Bischof, Sauer, 2014) explores the measurable differences between utilizing a solution-focused intake questionnaire and the more common medical model-based diagnostic intake questionnaire used in most psychotherapeutic settings. The article covers two distinct studies of this comparison and pro poses the idea that utilizing the ideals of solution-focused therapy during the intake process can serve as a therapeuticRead MoreMediation Theory Essays : Mediation Theories1727 Words   |  7 Pagesbe to first, trust the process, second control the process, and third implement listening skills. 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Bebop a Controversial Transition to Modern Jazz free essay sample

A Controversial Transition to Modern Jazz Nathan Marketing Muss;c 0711 Professor Leon Dorset Recitation TA: Alton Merely 1 December 10, 2010 The decade of the sasss was an important era in the history of Jazz. The sasss was a transition from traditional Jazz into modern Jazz. Leading this transition was the introduction of the Bebop period in Jazz. Bebop created controversy In the Jazz world for being a contradiction to traditional Jazz and was widely disliked by many audiences across America.Despite its controversy, Bebop, also referred to as Bop, was one of the most important eras In the history of Jazz. The technical creations by some of Bebops greatest musicians Influenced future generations of Jazz musicians and transformed the jazz world into the modern era. The word Bebop, according to Bebop artist Dizzy Gillespie, came from people trying to sing the unique melodic leaps. The singing created a distinct bop sound that led to It being referred to as bop or Bebop music (Brenner and Houseman, p. 14). The rhythm and technicalities of the Bebop style were unlike any other used In Jazz fore.This completely different method of Jazz led to the popular accusation that Bebop was not Jazz and many traditional Jazz artists dismissed it as such. And since Bebop could not be danced to, It was largely dismissed by the public as well for not being Jazz music. Although it Is true that Bebop was not classical Jazz and was not typical dancing music, it was in fact the first type of modern jazz to be recorded. The flatted fifth is the most important interval of Bebop and in traditional jazz the flatted fifth would be considered erroneous. Also characteristic of Bebop are the reverse and racing phrases that appeared as melodic fragments.Bebop music left out every unnecessary note giving it a distinct irregularity that had not been present in jazz before 1940 ( Brenner and Houseman, p. 1 5). Other technical characteristics of Bebop uncommon to traditional Jazz were the Bop improvisations composed mostly of eighth-note and sixteenth-note figures which created Jumps and twists within the music. There were also abrupt changes of direction and large intervals between notes. The rhythms in the lines were fast and unpredictable and were marked with an unprecedented amount of syncopation (Griddle and Cutler, p. 37).The era of Bebop followed the most popular era of Jazz before 1940, the Swing era. The swing era had become a popular culture phenomenon due to its relationship to 1 OFF Jazz to move into other areas of culture other than music and dance. The word Swing became a marketing device for consumer goods from cigarettes to womens clothing. The Swing style conformed to the commercial demands of audiences and as a result became consumed by endlessly repeated rhythms. These rhythms became cliche and too trite for some Jazz artists who wanted to created a more technical and modern style. The Swing style had become too commercialism and, as often is the case in Jazz, the evolution turned in the opposite direction in the form of the Bebop period (Brenner and Houseman, p. 14). Thus Bebop was formed as an intended contradiction to the Swing era. The contradiction to Swing music was so strong that Bebop music faced opposition and was accused of not even being Jazz music. Bebop was founded during World War II by young African American musicians who were tired of the repetition and lack of original creativity of the big bands popular in the Swing era.These musicians wanted to create a new style of music that as played by small bands and featured creative solos and irregular rhythms. The founders of Bebop believed their music could not be as easily copied by big bands led by white composers and would be an exclusive type of Jazz. This style began to form in 1940 from the improvisation that took place during the after-hours Jam sessions among Jazz artists. Bebop developed originally in Kansas City and in clubs (particularly in Moutons Playhouse and Monomers Uptown House) in Harlem where the Bebop style would be focused (Gaiter, p. ). With the leadership of three of the most ammos Jazz musicians, Charlie Parker, Dizzy Gillespie, and Theologies Monk, Bebop reached its height in the mid sasss. Charlie Parker was one of the most influential and important soloists in Jazz history and was important to the development of the Bebop style. Parker was born in Kansas City, Kansas on August 29, 1920. In 1927 Charlie Parsers family moved to Kansas City, Missouri, an influential center for African American Jazz music in the 20th century. The rich musical culture in Kansas City fostered the development of the young Charlie Parker who began playing alto saxophone in 1933. After Parker left school in 1935 he pursued a career as a professional musician in Kansas City and played among various blues and Jazz groups. In 1939 Parker visited New York, the national center for the music business at the time, for a year and participated in Jam sessions with other musicians. Parsers time spent in New York left him bored with the cliches of the popular Swing style still very common in America.He envisioned a new style of music, contrary to Swing Jazz, that emphasized a new set of techniques. This new style of music which became Bebop would finally reach maturity in the mid sasss led by Charlie Parker (Patrick). In December 1942 Parker Joined Earl Whines big band along with other young Jazz musicians such as Dizzy Gillespie. During Parsers years with the band, he participated in many after-hours Jam sessions with Dizzy and other musicians at clubs in New York. The musicians were working on the new Bebop style of Jazz which Parker had first envisioned when he visited New York.By 1943 Parker and Dizzy introduced their ideas of Bebop to the band, but their songs were never recorded due to a recording ban in the early sasss. After the recording ban was lifted, Parker and Dizzy formed a quintet to play their Bebop style of music and recorded for the Parker and Dizzy Gillespie musical recognition outside New York which they took with them to Los Angels, California. Parker and Gillespie worked successfully in California to spread Bebop to a national audience. Parker continued his work in California until a nervous breakdown due to his heroin and alcohol addiction caused his confinement in Commercial State Hospital.After his release from the Hospital, Parker returned to New York and formed a quintet with Miles Davis, Duke Jordan, Tommy Potter, and Max Roach. The quintet recorded some of Parsers most famous Bebop pieces, and the years 1947-1951 were Charlie Parsers most productive. The few years left in Parsers life from 1951-1955 were marked with depression and his failing health. Parker lost his performers license in July 1951 and his career fell into sharp decline. Parker attempted suicide twice during the last few years of his life and finally died at the age of thirty four in a Manhattan apartment on March 12, 1955 (Patrick).Charlie Parsers legacy would achieve elite status following his death among the Jazz world as Bebop became more widely accepted by Jazz audiences. Dizzy Gillespie was another influential musician during the Bebop period. Dizzy was born in Chewer, South Carolina on October 21, 1917. At a young age Tizzys musical proficiency was evident when he taught himself to play the trombone and trumpet and later the coronet. Dizzy attended the Laurelling Institute and played trumpet in the school band. In 1937 Dizzy moved to New York and earned a Job with Teddy Hills big band and toured in Europe.Dizzy played with various bands while in New York and while on Tour in 1940 Dizzy met Charlie Parker, and soon he began participating in the after-hours Jam sessions with Parker that led to the creation of Bebop. In 1941 Dizzy worked with many Jazz leaders including Lucky Milliner and Earl Hines. By 1944 Dizzy had recorded near-bop music and Joined Billy Stockinets bebop band along with Charlie Parker. At the same time Dizzy was playing for Billy Stickiness, he recorded some of his own small group bebop pieces with Charlie Parker including Salt Peanuts and Hot House. Dizzy and Parsers collaboration continued when they formed a quintet in 1945 which lasted a few years. Tizzys desire to lead a big band led him to form many big bands in the years following the sasss; and his efforts as a pioneer in modern Jazz helped cement his legacy as one of the great artists of Jazz. Dizzy Gillespie died in Englewood, New Jersey on January 6, 1993 (Owens). The incredible talent and popularity of Dizzy on his trumpet contributed to and helped spread the Bebop style. Theologies Monk along with Charlie Parker and Dizzy Gillespie also contributed to the Bebop style of Jazz.Monk was born in Rocky Mount, North Carolina on October 10, 1917 and at the age of four he moved to New York. In the early sasss he became the house pianist at Moutons Playhouse in Harlem where he collaborated with Parker and Gillespie to formulate the Bebop style. Monk continued to work in Bebop music and performed in Tizzys orchestra in 1944 (Blake). Much of Monks music career was not focused during the Bebop era, but his contribution to the founding of Bebop made him an important artist to Bebop music.Monk was the most famous Bebop pianist in the sasss and he continued playing Jazz piano for the remainder of his music career achieving worldwide renown. The Bebop style was developed by some of Jazz history most talented artists. Even though Bebop music was composed by incredible music geniuses, it remained controversial Bebop was generally disliked by the white fans of Jazz music and traditional African American Jazz musicians. Many traditional Jazz audiences and artists in reaction to this new turn in evolution in Jazz oriented themselves backward toward the basic forms of Jazz.There was a New Orleans Jazz revival during the sasss in response to the Bebop era, and simple music was demanded by the mass Jazz audience. The revival did not last long among the African American musicians because the revival soon turned to cliches and simplified forms of traditional Jazz, but it remained popular among the white audiences (Brenner and Houseman, p. 16) The Bebop period seemed to be a great antagonist to traditional Jazz and the New Orleans Revival. This antagonist aura of Bebop subjected its highly talented musicians to ridicule and contributed to the lack of support from the music business for Bebop music.Bebop did, however, have a large following among the young African American audience. Many of the African American artists who played Bebop music were young and related to a young audience. Many young African Americans no longer supported jazz the way they once did and thus accepted Bebop for its anti-traditional Jazz sound. Bebop was most popular among African American populations in big cities above the Mason- Dixon Line. The white audience rejected Bebop mainly because it did not have a regular step count and they could not dance to it.But despite Bebops irregular rhythm, African Americans figured a way to make the fast tempos by cutting time in half, and they were dancing to the music. By cutting time in half they could incorporate old dances such as the Lindy Hop or new dances such as the The Apple lace, (Gaiter, p. 5). Bebop did not appeal to a mass audience and earn as much revenue like the Swing movement, but more importantly it created an identity for the young African American population in the sasss Bebop music was not received well y the masses, but the impact it would have on the modern Jazz movement would prove its great importance in Jazz history.Over the years since 1940 Bebop has become the quintessential form of classical modernity in Jazz. A revival in Bebop, that nobody predicted, occurred in the sasss and is still continuing into the twenty first century. The importance of Bebop to new generations of Jazz artists can be summed up in a quote from Scott Devalue, a renowned author and professor of Jazz: In order to understand Jazz, you have to understand bebop (Brenner and Houseman, p. 17). The pioneers of Bebop, Parker, Gillespie, Monk, and others, propelled the Jazz world out of the classical era into the modern era.

Counterculture and Arkansas Razorbacks Fan free essay sample

Subcultures Four of the subcultures that I am a part of are first, being a mother, second a student at EACC, third, an Arkansas Razorbacks fan and finally, my religion. Being a mother is the most important subculture that I am a part of. It is what I spend most of my time doing. It is a 24 hour a day 7 days a week job, but I would not change anything. Most people who are mothers have the same values, and that is to raise happy, healthy and successful children. I would say the language used as a mother changes as your children grow older. The second subculture I am a part of is being a student at EACC. This is something that is new to me. I imagine that the values of the people going to EACC are to get an education to better themselves, that is why I am here. We will write a custom essay sample on Counterculture and Arkansas Razorbacks Fan or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page The language used while at school is pretty much the same way I talk in everyday life but mainly while I am at school I talk about school. I am also a big Arkansas Razorbacks fan, but I do not know many people from Arkansas who are not. I support the Razorbacks by wearing red and white, watching every game, and supporting them weather they win or lose. The language used while watching the games is usually the same way I talk in everyday life. With the exception of a little profanity on bad calls or bad plays. Finally, my religion, which is Baptist, is my other subculture. I don’t go to church very often, but I still believe in God, and know what is right from wrong. The values of most Christians is to believe in God and do what is right, and that is what I try to do. The language while at church is mainly speaking about God. I have never been a part of a counterculture. I’m a go with the flow type of person. I don’t like to go against the norm, so a counter culture would not be something that I would ever see myself a part of. The difference in a counterculture and a subculture, is that a counterculture is not widely accepted in society, and subcultures are very common, and accepted in our society.